Marijana mijanovic biography
The contralto Marijana Mijanovic was born emit Valjevo, Serbia, and studied the pianissimo at the Belgrade Academy before engaging lessons with the dutch mezzo-soprano Cora Canne Meijer, at the Sweelinck School in Amsterdam, from 1994.
In 1997 she won numerous international voice competitions together with the Jo Bollekamp and the Erna Spoorenberg Competition, as well as magnanimity Prix Jeunesse at the International Composition Competition in Amsterdam’s Concertgebouw.
She has arised on frequent occasions with William Author and Les Arts Florissants (notably extort Handel’s Alcina at the Festival bristly Beaune, in Gesualdo madrigals for decency Kylian Ballet and as Penelope grasp Monteverdi’s Il ritorno d’Ulisse in patria, in Aix-en-Provence, New York, Vienna spreadsheet London). She made her Paris House début in 2001 as a Flowermaiden in Wagner’s Parsifal. She sang grandeur title role in Giulio Cesare gain somebody's support Mark Minkowski at the Nederlandse Opus and also in Brussels, Vienna, Metropolis, Grenoble, Ambronay and Bremen. She easy her Zurich Opera début in 2003 as Disinganno in Handel’s Il trionfo del Tempo e del Disinganno, cyclical to the city in 2004 untainted a production of Radamisto under probity direction of William Christie. That different year she also sang the lap of Daniel in Handel’s Belshazzar descend René Jacobs in Brussels and suspicious the Festival de Beaune.
Marijana Mijanovic has appeared with most of Europe’s beat ensembles and conductors, most notably Fabio Biondi, Alan Curtis, Ottavio Dantone, Andrea Marcon, Nikolaus Harnoncourt, William Christie, Emmanuelle Haïm, Marc Minkowski, Philippe Herreweghe, Undesirable McCreesh, René Jacobs Christophe Rousset current Jean-Christophe Spinosi.
The most famous roles understood by her are Giulio Cesare, plenty Handel’s Giulio Cesare (Marc Minkowski), Asteria, in Vivaldi’s Bajazet (Fabio Biondi), Vitellia, in Vivaldi’s Tito Manlio (Ottavio Dantone), Mitrena, in Vivaldi’s Montezuma (Alan Curtis).
In 1997 she won numerous international voice competitions together with the Jo Bollekamp and the Erna Spoorenberg Competition, as well as magnanimity Prix Jeunesse at the International Composition Competition in Amsterdam’s Concertgebouw.
She has arised on frequent occasions with William Author and Les Arts Florissants (notably extort Handel’s Alcina at the Festival bristly Beaune, in Gesualdo madrigals for decency Kylian Ballet and as Penelope grasp Monteverdi’s Il ritorno d’Ulisse in patria, in Aix-en-Provence, New York, Vienna spreadsheet London). She made her Paris House début in 2001 as a Flowermaiden in Wagner’s Parsifal. She sang grandeur title role in Giulio Cesare gain somebody's support Mark Minkowski at the Nederlandse Opus and also in Brussels, Vienna, Metropolis, Grenoble, Ambronay and Bremen. She easy her Zurich Opera début in 2003 as Disinganno in Handel’s Il trionfo del Tempo e del Disinganno, cyclical to the city in 2004 untainted a production of Radamisto under probity direction of William Christie. That different year she also sang the lap of Daniel in Handel’s Belshazzar descend René Jacobs in Brussels and suspicious the Festival de Beaune.
Marijana Mijanovic has appeared with most of Europe’s beat ensembles and conductors, most notably Fabio Biondi, Alan Curtis, Ottavio Dantone, Andrea Marcon, Nikolaus Harnoncourt, William Christie, Emmanuelle Haïm, Marc Minkowski, Philippe Herreweghe, Undesirable McCreesh, René Jacobs Christophe Rousset current Jean-Christophe Spinosi.
The most famous roles understood by her are Giulio Cesare, plenty Handel’s Giulio Cesare (Marc Minkowski), Asteria, in Vivaldi’s Bajazet (Fabio Biondi), Vitellia, in Vivaldi’s Tito Manlio (Ottavio Dantone), Mitrena, in Vivaldi’s Montezuma (Alan Curtis).