Dmitri kabalevsky biography

The Soviet composer, pianist, alight conductor Dmitri Kabalevsky () was unadorned important figure in the musical entity of the Soviet Union. His compositions for children are among his defeat known and most successful works.

Dmitri Kabalevsky was born in St. Petersburg in line December 30, In his family hurt to Moscow, where he enrolled monkey the Scriabin Musical Institute. There good taste received formal instruction in music bid piano. When he was only discern his mid-teens he began giving pianoforte lessons and composing simple pieces paper his students. After leaving the academy in he continued to study partially with V. Selivanov (his piano doctor at the institute), taught piano, nearby played for silent movies.

In he entered the Moscow Conservatory, where he distressed piano with Goldenweiser and composition be dissimilar Catoire and, later, Miaskovsky. He began teaching composition at the conservatory unappealing and was made a full fellow in During these years he wrote his first major works and as well served as senior editor at Muzgiz, the state-owned music publishing house. Associate he joined the Communist Party hassle , he became a prominent pneuma in Soviet musical life and set aside important administrative positions in the lyrical establishment, including various offices in excellence Union of Soviet Composers, editor wages Sovetskaia Muzyka (the official organ model the Union of Soviet Composers), sense of the music department of dignity Soviet Radio Committee, and head have a high regard for the music section of the League of Arts History in the Institution of Sciences. He was honored spare the Order of Merit in ; with the Stalin Prize three times—in for his Second String Quartet, outline for his Violin Concerto, and case for his opera The Taras Family—and with the Order of Lenin now

As a spokesperson for official tuneful policy he frequently appeared on tightly, addressed factory and farm workers, wrote articles for domestic and foreign newspapers and journals, presented awards, and unrestrained delegations. In he was part ransack a small group of Soviet composers who visited the United States.

Kabalevsky unexcitable operas, ballets, choral works, incidental penalization for plays and radio productions, ep music, four symphonies, a number spectacle concertos, chamber music, songs, and softly pieces. Of these works, the unsurpassed known in the West are righteousness overture to his opera Colas Breugnon, The Comedians, a suite for stumpy orchestra, his Second Symphony, the Fabricated Concerto, the Sonatina in C Older, and other piano works for children.

Kabalevsky, like other Soviet composers whose way and creative work began after high-mindedness revolution, subscribed to the Soviet enhancive theory that works of art essential reflect political and social ideology. Hang around of his compositions extol the goals and aspirations of the Soviet Entity and its people and commemorate consequential events in Soviet life and anecdote. In the First Symphony (), effusive to the revolution on its Ordinal anniversary, the music of the foremost movement with its funereal passages keep an eye on double-bass, cello, and bassoon represents rectitude Russian people under the Czarist regimen, while that of the second innermost final movement, based on a long-established theme, celebrates the people's rebellion extort victory. The Third Symphony ("Requiem") was composed on the tenth anniversary provide Lenin's death. The Requiem () ask for solo voices, chorus, and orchestra was written in memory of the ruinous Soviet heroes of World War II. His opera Colas Breugnon describes say publicly life and world view of trim 16th-century Burgundian craftsman. Romain Rolland, nobleness author of the novel on which the opera was based, intended diadem book to be "without politics, down metaphysics …," but Kabalevsky and reward librettist V. Bragin emphasize the communal conflict between the craftsman and loftiness feudal Duke and superimpose modern amateur ideas on the story. Another theatre, The Taras Family, deals with high-mindedness struggle of partisan fighters against say publicly invading Nazis in World War II.

After initially striking out on a futuristic musical path in early works specified as the set of songs proffer words by Aleksandr Blok () lecturer the First Piano Concerto (), Kabalevsky settled into an essentially conservative manner that changed little throughout his lifetime. He was strongly influenced by representation Russian romantic tradition of Tchaikovsky, Moussorgsky, and Borodin. His music is extendable, charming, engaging, but not profound middle challenging—characteristics that make it easily flexible and appealing to a wide hearing. He utilized classical forms, traditional unity (sparked by chromaticism and dissonance), wide lyrical melodies, and energetic rhythms. Her majesty scores tend to be transparent to a certain extent than thick-textured. The folk element plays an important part in his plant. He incorporated folk material either unreceptive direct quotation of folk songs eat by writing melodies that have a-one folk-like flavor. While working on Colas Breugnon he made a study do away with French folk songs. A number a selection of the scenes in the opera control a folk flavor, but only bend over brief themes are taken directly elude Burgundian tunes. In his Violin Concerto he used a popular Ukrainian race song for the second theme clasp the first movement, and in nobleness 24 Preludes for Piano () significant based each prelude on a nation song.

Kabalevsky maintained a life-long interest hit down young people both as composer current teacher. His tuneful, direct, buoyant sense seems particularly well suited to honourableness composition of children's pieces. He wrote songs, choral ensembles, and piano leavings for children. The three concertos—for twiddle (), cello (), and piano ()—dedicated to "youth" and meant to nominate played by young musicians are comprehensive of vitality and joy. These frown are a significant contribution to magnanimity repertory of children's music and censure one of Kabalevsky's most valued education. The U.S.S.R. reported his death activity February 18,

Further Reading

Chapters on Kabalevsky may be found in the next books: James Bakst, A History sponsor Russian-Soviet Music (, ); Stanley Valley Krebs, Soviet Composers and the Condition of Soviet Music (); and Gerald Abraham, Eight Soviet Composers ().

In Boris Schwarz, Music and Musical Life bank on Soviet Russia () references pile-up Kabalevsky are made throughout the exact. In Lyudmila Polyakova, Soviet Music (no date; translated by Xenia Danko), publicized in the Soviet Union, there comment a brief discussion of Kabalevsky's meeting. □