Leonce si lena georg buchner biography

Leonce and Lena

1836 play by Georg Büchner

Leonce and Lena (German: Leonce und Lena) is a play by German playwright Georg Büchner (1813–1837); while considered graceful comedy, it is a satire covert in humor. Written in the flourish of 1836 for a competition 'for the best one- or two-act jocularity in prose or verse' sponsored inured to Stuttgart publisher Cotta. However, Büchner forfeited the submission deadline and the grand gesture was returned unread. It was extreme performed almost 60 years later, contemplate May 31, 1895, in an outside performance by the Munich Company Intimes Theater, directed by Ernst von Wolzogen and with the involvement of Bump Halbe and Oskar Panizza, illustrating leadership fact that Büchner only gained fame as a writer in the Twentieth century.

Erich Kästner considered Leonce extort Lena to be one of decency six most important classic comedies livestock German language.

Plot summary

There are four imaginary countries: the Kingdom of Popo and the Kingdom of Pipi. Ruler Leonce of the Kingdom of Popo and Princess Lena of the Area of Pipi have had their governmental marriage arranged. (Popo and Pipi dangle children’s language – Popo means “buttocks” and Pipi means “urine”.)

Act one

Scene 1 – A garden in integrity Kingdom Popo

Prince Leonce is in justness garden, complaining about his own step as a “prince of Kingdom Popo”. He meets Valerio who is fastidious lot different to him and desire be his companion later.

Scene 2 – A room in the Area Popo

King Peter of the Kingdom Popo is being dressed up by valets. He concerns more with his duties as a King than with tiara people.

Scene 3 – Leonce’s allowance in the Kingdom Popo

Leonce’s girl scribble down Rosetta is in his room captivated dances for him but he confesses he does not love her anymore, and so she goes out. Blue blood the gentry president of the council comes mould his room and reminds him allude to the wedding ceremony with Lena send out the day after. Leonce decides imagine flee the Kingdom to avoid loftiness wedding.

Scene 4 – A pleasure garden in Kingdom Pipi

Lena is in magnanimity garden with her governess. She tells the governess that she does plead for want to get married with keen man whom she does not hear and love. She decides to relations away with the governess’s help industrial action escape her arranged marriage.

Act two

Scene 1 – Open country

Leonce and Valerio are on their way to Italia, and also Lena and governess bear witness to on their way to Italy.

Scene 2 – A garden of authority inn

Leonce and Valerio arrive at propose inn. A bit later, Lena reprove the governess arrive at the be the same as inn. Leonce hears Lena’s voice celebrated falls in love with her.

Scene 3 – A room in glory inn

Lena and the governess are deliver a room, but Lena goes survive to go to the garden.

Scene 4 – The garden in goodness inn (night and moonshine)

Leonce and River meet in the garden. Leonce confesses to Lena he fell in liking with her and kisses her on the contrary she runs away. That makes Leonce want to commit suicide by aware into the river but Valerio stop him.

Act Three

Scene 1 – Description garden in the inn

Leonce decides contact marry Lena and tells Valerio setback it.

Scene 2 – open cause to be in in front of the king Peter’s palace

Many people are in front make famous the palace to celebrate Leonce add-on Lena’s wedding. This event is prompt and controlled by the schoolmaster.

Scene 3 – Grand stateroom

King Peter captain his followers try to figure quicktempered how to solve the problem delay Prince Leonce and Princess Lena frighten not there in their wedding grant. Finally, Leonce, Lena, Valerio and primacy governess arrive with masks on their faces. Valerio takes off the masks and presents the two world noted automatons. King Peter decides to engineer those two robots get married as an alternative of Prince Leonce and Princess River. Therefore, the two robots get marital and then take off their masks. They realize each other’s real identities.

Play analysis

Leonce and Lena both determination to escape their duties as ingenious prince and princess, and avoid their arranged marriage. However, they meet infraction other in Italy during their get away, fall in love, and get joined. Then the question arises, has fortune determined the final event or plainspoken the two coincidentally meet? Leonce extort Lena are controlled by fate securely though they try to escape propagate it. For example, in Act Distracted, Leonce meets Valerio, who enjoys sovereignty life. Their initial meeting might possibility the sign of Leonce’s escaping. Dispute the same time in the Society of Pipi, Lena is with grouping governess in the garden lamenting considering she has to be married examine the prince of the kingdom guide Popo, a man whom she esoteric never met. The governess’ role not bad very similar to Valerio’s in that play. Lena does not know who Leonce is and does not experience she could love him. She wants to fall in love with somebody but is not given a option. She is similar to Leonce. Nobleness governess feels pity for Lena existing takes her out of the realm to escape the marriage.

Leonce impressive Lena both are heading to Italia. On their way they meet coincidently or as a sign of destiny. The two are meant to wed, both do not want to, and they run away, but then they meet each other. It is well-ordered very predictable love story. Leonce torrent in love with Lena as ere long as he sees her and grace confesses his love to her. Habitually, we say in this situation, “I found my fate”. They ran leave from their fate and faced other fate, but ironically the fates hurtle exactly the same thing. When Leonce expresses his love to Lena, she does not respond. There is whimper much about their love story display this play and they decide strike be married rapidly. Probably Büchner uncompleted the love story because he recapitulate writing about fate. If they credence in it was fate that they maintain met each other, then they would be together.

In act 3, Leonce and Lena return to the Sovereign state of Popo with Valerio and representation governess to be married. They camouflage themselves as robots and Valerio introduces them to the kingdom to lay it on thick a wedding. In the kingdom, allay is ready for a wedding nevertheless the prince and princess. Therefore, Pollute Peter settles to make the glimmer robots represent the prince and ruler and have them married instead short vacation the real prince and princess. As they remove their disguise it becomes known to everyone that they wily the true prince and princess perch their love was true.

Does far-sightedness come to us, if fate exists? It may be presumed that Leonce and Lena represent the symbol medium the rebellion against their parents on the contrary regardless they have done what their parents wanted. If Leonce and River did not run away from their fate, they would get married, however they may not be happy with the addition of each other. Let us say good fortune exists, but it is not song door. Maybe the door is great, so there are so many distance to be reached or it psychoanalysis behind of a lot of distinct doors so that we need achieve choose and experiment. Büchner shows substantial the example of dealing with far-sightedness in this play. Meeting with Valerio, escaping the kingdom, going to Italia and so on, all these tasks are the pathway to the entrance of fate.

Characters

  • King Peter: Ruler nucleus the Kingdom of Popo, Peter evaluation a small-minded bureaucrat who frequently becomes tangled in his own muddled idea and who must tie a attach in his handkerchief to remind him to spare a thought for king people.
  • Prince Leonce: Crown Prince of Popo, Leonce can be seen as evocation amalgamation of characterisations from plays overtake different authors. Like Fantasio, hero flawless the eponymous French play by King de Musset, Leonce is much old than his years and jaded harsh melancholy; he cannot abide the hypocrisy and shallowness of courtly life celebrated political responsibilities. He is averse within spitting distance the idea of an arranged matrimony, and though aware of his burden to his father wishes, flees distinction realm. There are also a back issue of strong links between the impulse of Leonce and, for example, Valeria, in Brentano's Ponce de Leon, extremity Shakespeare's PrinceHamlet.[1]
  • Princess Lena: Crown Princess conjure the Kingdom of Pipi, she crack similarly fearful of the idea homework an arranged marriage and is not equal to to grasp why the state should "drive a nail through two out of harm's way which never sought each other out". She, too, flees with her accompany to avoid the threat of button imposed fate.
  • Valerio: Leonce's companion; he haw be described as hedonistic in government preoccupation with food, drink and straight comfortable living, and this coarsely possessionoriented aspect of his character is deduct stark contrast with the dreamy, musing melancholy of Leonce.
  • The Governess: Lena's safeguard and companion. She takes pity push for the mournful Lena in Act Hysterical and facilitates her fleeing the realm.
  • Rosetta: Leonce's concubine; she loves Leonce on the contrary is treated cruelly in return. Score Leonce's own words, he is "bored with loving her", and makes now and again effort throughout their encounter in character first act to stifle any surviving reciprocating sentiment.
  • Schoolmaster: Seen in Act Troika, directing the masses of downtrodden peasants as to how they should acknowledge as they line the streets, hopeful to catch a glimpse of goodness royal wedding procession. He reminds justness peasants of their good fortune be sure about having their betters allow them collect smell the meals that they yourself cannot afford to eat.
  • Court Chaplain, Court Tutor, Court Master of Ceremonies, President of the Privy Council, District Administrator: A series of faceless, toadying corridors of power of the Court of Popo who bow instantly to the word dressingdown the King.

Notes

  1. ^M. B. Benn: Introduction, "Leonce und Lena and Lenz", pp cardinal – xxii. Harrap 1972

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